I Don’t Warna Grow Up by Sean Vegezzi

8 January, 2013

Title of publication: I Don’t Warna Grow Up
Name of artist: Sean Vegezzi
Additional contributor: Text by Abeline Cohen
Design: Alex & Will F. Webb
Editor: Ourselves
Series name: N/A
Press: fourteen-nineteen
Publication date: 28th September 2012
Place of publication: London, U.K.
Edition size: 1000
Format: Softcover, OTA Binding
Size: 18x27cm
Number of pages: 144
Type of printing: Offset
Type of paper: 150gsm Profimatt / 80gsm PrimatColor Blau/kanariengelb
Name of printer: Optimal media production GmbH, Röbel
Number of pictures: 113
Price: £25
Description of book: “…I believe in these young boys, ever-scrutinised within undefined spaces, each of them embodying the impossibility of innocence lost. We consider spaces that loom so large, yet easily become forgotten.” – Abeline Cohen
Fourteen-Nineteen presents the culmination of a years’ worth of transatlantic dialogue for the first book of photographs by artist Sean Vegezzi (1990).
Starting in 2000 Vegezzi began documenting his explorations in New York City. Vegezzi and his companions traversed unused but guarded spaces of the city. Wandering through abandoned subway tunnels, constructions sites, alleyways, rooftops and other spaces of abject industrial insignificance, Vegezzi struck out for the liminal and in between spaces of his environment.
Vegezzi’s photographs both document this experience and immortalise the adventurous spirit of adolescence. I Don’t Warna Grow Up could be a mantra for his subjects who are mostly wandering boys on a search for the sake of searching. There is a restlessness to Vegezzi’s images, a seemingly insatiable desire to rearrange the city before them, contrasted to the unfulfilled spaces they find. New York City is a vast network of boundaries both physical and socio-economic, but the magic of youth is found in the lack of reverence for those boundaries.
In one of Vegezzi’s most iconic images, a lone figure stands in the middle of an enormous underground construction site. It appears to be a project of epic scale. Construction equipment and material litter the site as the lone figure stands in the glow of high-powered work lamps. Vegezzi’s figure stands here in wonder. He is a portrait of defiance; curious and unafraid. He is alone, in his own space, underneath the entire world.
The best thing about self-publishing: Hanging out with Bruno Ceschel
Artist website: www.seanvegezzi.com
Press website: www.fourteen-nineteen.com
Book Soundtrack: